I picked yesterday to get my working life set up on a brand new computer, which may not have been the smartest thing to do after recovering from a trip, but it was definitely necessary. It’s kind of like the dentist trip, better to get it over with and it’s usually not as bad as you expect. In fact, I had the thing mostly up and running and was getting some work done within about 2 hours — this included transferring over my Word files and photos and music and whatnot. Excellent! I hit a couple of glitches that will take some time to smooth out, but I can work. I actually look forward to playing around with the new system and seeing what bells and whistles I can use.
So, I have a lot of commentary I could spout off about cyberpunk tropes in general, which ones have made it into the movies, and the ways in which cyberpunk has evolved — and in some ways, died out. In grad school I took an upper-level seminar on the topic of. . .come to think of it, I’m not even sure what the topic ultimately was, I think the professor may have just been mining us for her own paper topics. But we read Snow Crash. This was the second seminar in which I had read Snow Crash, because the novel has passed over the barrier and become “okay” for academia. As the only SF geek in the department, I got to then go up to the professors teaching it and ask if they’d read Neuromancer. In one case, yes, “Because Frederic Jameson made it okay to read science fiction,” to which I thought, “What the actual holy hell are you talking about?” The other said, “No, because I’ve heard it’s very problematic in its treatment of women.” And I said, “Well, yeah, probably, but if you haven’t read it you’re missing a big chunk of Snow Crash. Seriously.” (Like Snow Crash is all that better in its treatment of women than Neuromancer, sheesh…)
There’s a reason I didn’t go on for a PhD.
Anyway, I’ll never forget this seminar because in the middle of the discussion of Snow Crash, one of the other students, clearly baffled, said, “The story here is really kind of conservative. I thought cyberpunk was supposed to be all radical and subversive, but I don’t see that at all.” To which I, the only person in the room who had any experience with cyberpunk beyond Snow Crash, said, “Um no — this entire sub-genre exists to make nerdy computer guys feel better about themselves.”