Klaus Nomi was born 70 years ago today. A performer whose career may have reached its peak as a back-up singer/dancer/weird presence for one single show behind David Bowie, Nomi managed to stand out in a time and place that made a virtual fetish of uniqueness: New Wave-era New York City.
Many actors and performers attempt to find their voice or vision in a performance that resides in the very process of erasing the self, even the idea of a self. Some comedians who build a stage persona in this territory will even flirt with the idea of not being “in” on their own joke; they have brilliant moments but tend to have brief careers. Singers and pop stars find it easier to latch onto a persona for an album or concert tour or two, then drop that for an entirely new one a few years later.
Nomi might have…
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